Charles Pierre
Baudelaire, a cursed poet and was also one of the first great French precursors
of the symbolists. Baudelaire was born
on April 9, 1821, in Paris. Being an inspiration of following poets, Baudelaire’s
life is very depressive and uncommon. The death of his father led to a period
of very close intimacy with his mother, therefore creating a passionate love
towards her. The remarriage of his mother became a cruel betrayal which started
his cursed yet talented life. At the age of 21, Baudelaire inherited the great
fortune from his father’s estates but his recklessness spending led to the
appointing of a legal guardian who controls his finances. This action drove the
poet to despair. However, all this betrayal and suffering has not end for him.
An affair with an interracial woman, Jeanne Duval
added to his suffering of cursed life. The cause of this suffering from his
affair are many well written poems, all inspired and mostly dedicated to his “Black
Venus”, Jeanne Duval. The cursed life of Baudelaire created a most famous work
in his collection of poems Les Fleurs du
mal (Flowers of Evil). Apart from his toxic love life, synesthesia also
contributes to his great writing. Synesthesia is the mixing of the senses, the
ability to smell a color or see a sound. The gift of vital senses concludes to
his poems with complex ideas of what beauty is. (See 'Charles Pierre Baudelaire' Encyclopedia of world biography)
One of
Baudelaire’s famous supernatural poems, “The Ghost” is written to express his
love towards the person he cannot love, but yet haunts and protects. Through the
poem, everything contains dark and evil creatures, meanings as a contrast to the
night. Baudelaire uses “The Ghost” as a title and also a connection to himself
because of all the haunting done by “The Ghost”. Baudelaire wanted to represent a beasty angel
to protect his mistress among the night, during her sleep. However the invisible
wall between them has only let his shadows beside her. (1-4). Although
Baudelaire cannot give her warm and passion of real love, he will give him
something of his own, the cold and pain he suffers in the relationship (5-8). He
is viewed as an affair; therefore his place will be taken by sunrise (9-11).
The beauty and exquisiteness of the mistress attracts men by sight which
triggers the jealousy of Baudelaire (10-12).
“The Ghost” is a correspondence of
Baudelaire’s toxic love life towards the person or persons who he cannot love
but yet haunts and protects. The use of holy and hellish creatures in the poem
suggests that Baudelaire was a man of religion that felt God has gave him a
cruel and damned life. According to Liukkonen,
"Baudelaire was
the first to equate modern, artificial, and decadent. Himself he saw as a
fallen angel." A fallen angel can also be a symbol for “ghost”, since ghosts
have all the same aspects of an angel except that the ghosts’ place is in hell,
and angel in heaven. When we think of both fictional characters, nothing about
love would come in mind, thus Baudelaire signifying the love that will never
display. His longing of being beside his beloved has made his love impossible
yet possible, hence the pain he suffers. The invisible wall between him and his
beloved has made his love perceptible but untouchable; therefore creating this
shadow that follows and haunts his dearest.
Baudelaire’s gift of synesthesia; the mixing of the senses, the
ability to smell a color or see a sound,
was also mentioned to have a stronger sense of what complex idea beauty
is. Thus in this poem, what love is. It is described in Liukkonen’s words that
"Baudelaire thought of love as the loss of innocence, but also the highest
pleasure, doing evil intentionally is a source of lust." When we connect the
aspects of what Baudelaire thought of love to his second stanza, we see how
this “ghost” suffers from the pain the love did. The words “my own” meaning
part of him, and part of a ghost normally resembles cold, dark, even death.
When he wanted to give part of him to the person, he wanted to drag the person
into the cold dark world he’s in. The evil in Baudelaire has cost him to drag
his beloved into his cold dark world that he cannot bare himself, and yet he
felt the pleasure of the evil he did. The pain he caused himself, in contrast
are the words “thorny brake”. The two words suggest a painful stop which his
love results in, but he cannot stop his pain from reoccurring by
"haunting" his lover.
Baudelaire once
stated that "after examining scrupulously the depths of my past reveries,
I realized that I have always been obsessed by the impossibility of
understanding some of man's actions or thoughts save by the hypothesis of the
intervention of some exterior evil force." (Liukkonen). The last two
stanzas relate Baudelaire’s actions to other men’s actions with the
intervention of some exterior evil force. His thoughts on the “evil force” are
within himself because his evil actions caused him to become an affair of
another, as well as the jealousy he has but cannot present. In this case, this “evil
force” has caused him to be with his beloved for only a certain amount of time
and leaving by sunrise. It is to believe that Baudelaire wanted to stop such
actions, but the “evil force” (love) cannot be stopped. Another cause of this
evil would also be the attraction of the woman (women) he loves. The “youthfulness”
and “tenderness” might also symbolize poison of his dearest that blinded his
heart and mind, hence developing his evil deeds of jealousy. In the end, we are
left with not only love, but hate towards his beloved one; the hatred of love
that cannot be loved.
Works Cited:
Liukkonen, Petri. "Charles Baudelaire." Kuusankosken
Kaupunginkirjasto, 2008. Www.kirjasto.sci.fi. Web. 04 Apr. 2012.
<http://www.kirjasto.sci.fi/baudelai.htm>.
"Charles Pierre
Baudelaire." Encyclopedia of World Biography. 2004.
Encyclopedia.com. 4 Apr. 2012 <http://www.encyclopedia.com>.